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People in rooms
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1.
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Kadyn & Ashlynn
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2.
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Maky & Carly
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3.
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Kate, Alee, Hannah
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4.
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Evan, Jonathan, Spencer
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5.
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Taylor C, Emma, Claire
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6.
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Brady, Riley, Ryan
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7.
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Reagan, Marinda, Kaytlyn
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8.
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Colin, Carter, Ramzi
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9.
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Eli, Reese, Tre
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10.
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Brooklyn, Taylor E, Kristen
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11.
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Payton, Sarah, Cooper
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12.
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Pickup driver
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13.
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Teresa Kyle
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14.
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Leslie Will
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15.
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Cindy Greg
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Yale School of Drama
Luis and Moises
Sunday, April 8, 2018
Rooms
Friday, April 6, 2018
Theatre Camp for High School Students
West Texas Theatre
Brings you…
Camp on the Caprock
Camp on the
Caprock: June 8th-16th
Post
Texas
About the Camp
West Texas
Fine Arts teachers are pairing to offer the kids of West Texas an affordable theatre
camp. This camp/workshop will be 7 days
of intensive training in all aspects of Theatre and sharpen the students
creative process. Auditions will be held
for 3 different one act productions. On the final day of camp the productions
will be staged for Parents and campers to enjoy. Along with six talented West Texas directors,
there will be mentors for each production.
These include theatre legends from West Texas!
Camp Fees (Non-Profit Camp - no one has a stipend)
Student
fees/housing/food…………………………..350.00
Students can
arrive anytime after 2p.m on June 8th and before 5 p.m
Students may
be picked up After their performances on June 16th.
Housing will
be at the Historic Camp Post Boy Scout Camp(air conditioned). Students will be bused back and
forth from the camp to the Post ISD Auditorium for workshops and rehearsals. Post has a brand new state of the art
facility to use! Boys and Girls Bunk houses are separate, and there will be a
camp counselor in each at all times.
Camp Directors
Tim and
Leslie Tatum (Post
High School), Zachery Kocurek-Gentry and Tanis Blount (Lubbock High
School), Laurel Tatum Bush (Waxahachie Life High School) and Azure
Mcluckie.
Students
will all audition for roles in the three shows.
No need for a rehearsed monologue.
All directors will conduct theatre exercises and cold readings to cast
their shows.
Camp Mentors/Workshop leaders
Gloria Mcluckie, Lou
Lindsey, Freida Attaway, Cindy Couch. Each of these
wonderful mentors have had multiple trips to the State OAP meet, several
winning Championships on every level from 1A-5A. We are blessed to have their leadership and
guidance.
Regionals
1.
We are leaving Shallowater at 2PM on Sunday, April
15. Students need to be there on
time. We will pack the bus on Friday,
April13th. If students will be at
Regionals for Academic UIL, they need to pack their things and ensure someone
puts costumes on the bus.
2.
Meals are provided.
|
ORDER OF PERFORMANCES – MONDAY
AFTERNOON/EVENING, APRIL 16 :: First Play at 2:00
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||
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1st
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2-A
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The Cripple of Inishman
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2nd
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1-B
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“Front” – Shallowater (could be
2:45-3:00)
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3rd
|
1-C
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“Gunfighter: A Gulf War
Chronicle” – Tulia
|
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4th
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2-C
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Mother Hicks - Bangs (I may have this & 5th
mixed up)
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5th
|
2-B
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The Insanity of Mary Girard - Peaster
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6th
|
1-A
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“The Angelina Project” – Canadian
|
3.
Again dress clothes are needed for the Awards
Ceremony.
4.
Everything at this contest is SLOW. Awards
should start about 8:30-9PM.
5.
Please
stress to your children to clean up after themselves – especially since we are
using another school’s facilities.
6. ALSO --- PARENTS, VISITORS, FRIENDS, FAMILY
MEMBERS, AND CREW CANNOT BE IN THE DRESSING ROOM ONCE THE SHOWS HAVE
STARTED. CAPS ARE NOT PERMITTED IN THE
SCHOOL BUILDINGS. DO NOT TAKE PICTURES
OR VIDEO DURING PLAYS.
We will stay overnight at Residence Inn in Abilene and return
to Shallowater BEFORE 11 the next morning.
Because the band has contest on Wednesday, Mr. Johnson is allowing them
to rehearse after lunch on Tuesday. Contact me if you have questions.
Thank you,
Cindy
|
7 rooms
|
1.
Kristin
2.
Kaytlyn
3.
Sarah
4.
Hannah
5.
Taylor C
6.
Ashlynn
7.
Taylor Everitt
8.
Maky
9.
Brooklyn
10.
Kadyn
11.
Claire
12.
Cooper
13.
Marinda
14.
Alee
15.
Carly
16.
Emma
17.
Reagan
|
|
4 rooms
|
1.
Carter
2.
Jonathan
3.
Reese
4.
Ramzi
5.
Riley
6.
Brady
7.
Spencer
8.
Eli
9.
Colin
10.
Ryan
11.
Tre
12.
Evan
|
Rooms & Watch the video in previous post.
|
Girls have 7 rooms
5 rooms with three in them and 2 rooms with two in them
|
1.
Kristin
2.
Kaytlyn
3.
Sarah
4.
Hannah
5.
Taylor C
6.
Ashlynn
7.
Taylor Everitt
8.
Maky
9.
Brooklyn
10.
Kadyn
11.
Claire
12.
Cooper
13.
Marinda
14.
Alee
15.
Carly
16.
Emma
17.
Reagan
|
|
Boys have 4 rooms
3 boys in each room
|
1.
Carter
2.
Jonathan
3.
Reese
4.
Ramzi
5.
Riley
6.
Brady
7.
Spencer
8.
Eli
9.
Colin
10.
Ryan
11.
Tre
12.
Evan
|
April 5
|
Everyone
|
What happened to diction?
Say names almost each time you speak.
Calloused to Tipperary – it’s not spontaneous. Don’t look ahead of
time where you are putting things. Sing scared and look terrified
Re read earlier critiques.
Tipperary people – put rubble more left stage so that Judith and Joan’s
scene is not blocked by rubble.
Project more
Practice doesn’t make perfect.
Perfect practice makes perfect.
Thanks to Maky for notes.
Don’t say extra sentences.
Words spontaneous work
Beach scene – couldnot understand
DICTION LOUDER
Rehearsals need to be taken seriously
Everyone is anticipating lines.
REACT TO WAR BEING DECLARED.
Need fog especially in Joan and Judith scene
Judith’s dress must be in the rubble.
Move right stage crates open
|
|
Angie
|
Put hand in hole and touch near Kate
|
|
Sheila & Bela
Factory women
|
Last factory scene women would do anything to save yourselves. Look at J & J almost accusing them or
give them up to Frakker. Joan’s always
drunk so she could have done it.
Everyone knows Judith could be accused.
Bigger laughs in first scene – Bela is the only one laughing
First factory scene boring.
Look at each other - interact
|
|
Bar scene
|
Love Sheila talking, bela looking at ring and Joan drinking BUT look
at Sheila once or twice.
|
|
Haris
|
Your words force your hands so you can look at them. You can’t
believe that these hands that create can destroy
|
|
Judith
|
Jacket in scenes where everyone is wearing jackets.
|
|
Tom
|
Cough was fake in dead girl
Shoes?
Be fascinated with body
More down stage with glass.
|
|
Eli
|
DICTION – each word in each line must be heard – base wage
That bomb needs A fuse
|
|
Music
|
Too loud Tipperary
Second bomb needs to be louder - Sarah
|
|
ALister
|
Ask Sarah – you cant go around like that
|
|
Mrs. Briggs
|
Could hear you first and diction great – later could not hear.
|
|
Mr. Briggs
|
Drop bat closer to left stage
|
|
Bela
|
Photographer – don’t walk in front of people talking – Mrs. Briggs
|
|
Sheila
|
See Reese – make it obvious and then love a man
|
|
Ramzi -worker
|
Screw the lid with difficulty off bomb
|
|
|
|
|
Watches
|
2
|
Tuesday, April 3, 2018
AREA
|
Everyone
|
Diction
Watch coming
out of freezes
Work ending
Work on
listening and reacting to what is being said as if it is the first time the
characters experienced this.
More
nonverbal communication to express each character
Screaming
needs to be toned down – less screeching
|
|
Joan &
Judith
|
More decline
|
|
Joan
|
Letter –
needs to be bigger and focus on her from other characters
|
|
Judith
|
Need
motivation for last speech (transition) from being with kids to addressing
audience.
|
|
soldiers
|
Work on
Australian accent
|
|
Laurie Doyle
|
Atmosphere,
Style of the
era
Use of stage
Commit to
what is happening on stage
DICTION –
watch TEXAS accent – you have to be louder with sound effects/ music etc.
Be careful
that scenes UPSTAGE are lost.
She does not
like dim lighting.
Make it
obvious where the audience needs to focus
Do not let
minor characters steal scenes.
MAKE IT
CLEAR where audience needs to focus.
|
|
Humfield
(lead judge)
|
Likes strong
ensemble and characterization.
Dialects
MUST be understood especially at the beginning
OVER
ARTICULATE FOR EMPHASIS.
BIG ON
ARTICULATION AND DICTION.PACING SPONTANEITY, ENGAGED LISTENING
|
|
My visit to
Clyde
|
Lights were
too dark on almost every show
We need to
do makeup for official rehearsal –one dark and one light
Ashlynn drinking
– wipes mouth, gesture with flask, more limber, noises as drinking- dirty
your apron.
Pylons solid
on only one side.
Can take
props to back – kids stand at back wall after props
Judges sit
10 seats apart
Bring mop
Mary Girard
– screeching – no connections –profile and presentational – no set – why
british accents
Be sure
lights are off in the wings
When CM says
time – cast says 4 minutes thank you
Mother hicks
Cool set,
costumes great
Too dark
Music was
too loud
Hard to hear
at times
Transitions
are choppy
Shake when
holding letters at the beginning
Cripple hard
to understand
Great
characterization.
|
|
Changes
|
Beach scene –added lines.
Dress – Frank brings in the dress
|
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